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Goldilocks (TV) : ウィキペディア英語版
Goldilocks (film)
''Goldilocks'' is a half-hour musical animated film, the audio tracks for which were recorded in the summer of 1969, produced strictly for television in 1970 by DePatie-Freleng Enterprises (known for their work on The Pink Panther, of which the animation style is strongly reminiscent) and produced with the assistance of Mirisch-Geoffrey Productions.
Following in the footsteps of other groundbreaking children's shows of the period such as ''Mister Rogers' Neighborhood'' and ''Sesame Street'' the show presented a thinly veiled attempt to indoctrinate children on the virtues of equality and acceptance along with other modern values.
==Plot==
One summer day, Bing Crosby, his wife Kathryn and their two youngest children Mary Frances and Nathaniel are camping out on a fishing trip.
Bing and the children have returned to camp from the lake with their day's catch.
Upon showing their prizes to Kathryn, she recoils in disgust, saying `Them's that does the catch, does the cleanin'. So Bing and the kids return to the lake, pull up a comfortable log upon which to sit and begin the chore. After a fashion, Mary tells her father that, apart from the tall tales – this is the only part about fishing she doesn't like. Nathanial pipes up that he's bored, to which his father reminds him that before modern conveniences, people used to entertain one another by storytelling, volunteering the first example.
After choosing Goldilocks, Nathaniel complains that it is just a kid's fairytale. Their father reminds them however that since it has been such a long time since they heard it last, there might be a little more to the story than they remember. This leads into the first song, ''Take a Longer Look'' where Bing encourages the children to read between the lines.
One of the verses mentions a butterfly going by, and suddenly Mary Frances can see the animated creature alighting right on the tip of her nose. Following it deep into the animated forest, she becomes Goldilocks and remains the only live-action figure.
The story proceeds pretty much in the traditional fashion, including when the Bears go out for a walk in the woods to let their porridge cool, Papa Bear sings a song about ''The Human Race'' in which he derides the workaday world and people who don't take time to stop and smell the flowers, telling his youngest son, he'll understand when he's older.
Unaware of all this, Goldilocks gets lost, becomes tired and hungry, and spots the Bears' house, the door ajar. After sampling the food and furniture, Goldilocks lays down in Baby Bear's bed, as she sings the third musical number ''Don't Settle For Less (Than The Best)''.
The Bears return from their jaunt to find the porridge, chairs and beds all disturbed. Papa Bear is incensed that such an intruder would enter his home, finds Goldilocks in Baby Bear's bed and is about to raise his golf club to seriously injure the intruder when Baby Bear hangs onto the business end thereof shouting `No Papa! Don't! It's only a people cub!' Well after the misunderstanding is cleared up, the Bears share their meal with her and set about trying to find out more about her.
Papa Bear's best friend the Bobcat (named for the swing band headed up by his younger brother in the 1930s and 1940s and who was supposed to play the part, but couldn't due to other commitments) is a loudmouthed and bigoted braggart who has no trouble telling his decidedly unpopular opinions to anyone who would listen.
After relaying to the Bears the fact that she was wandering alone in the forest and got lost, Goldilocks – in an homage to MGM's The Wizard of Oz moves in until such time as everybody can figure out how to get her back home.
The Bobcat however has been eavesdropping at the Bears' window and is about ready to throw up at all the sappiness – not to mention the fact that Goldilocks – cub or not – is still a People and therefore not to be trusted in the forest. He runs back to a clearing where he gathers all manner of other forest animals and explains his decidedly skewered viewpoint that Goldilocks does not belong in the forest, and the easily swayed animals buy it.
Subsequently, the Bobcat leads an angry mob of forest animals over to the Bears house and demands that Papa Bear himself turn Goldilocks over to them. Of course Papa Bear holds his ground, telling the crowd sternly `Now I love this forest just as much as anybody. I'll be the first to protect it when it needs it. But this forest does NOT need protecting from a little girl who came to our house because she was lost and tired and hungry. The Bobcat is seen blowing a raspberry to his friend and tells him they will not be mollified so easily.
Papa Bear continues attempting to calm the crowd down and allow them to see through the Bobcat's unfounded fears, but Goldilocks sees the melee, worries that their next move will be to chase, capture and hurt her, and tries to run away. Looking over her shoulder to make sure she is not being chased by the mob, she trips on an unseen log, and knocks herself cold. Baby Bear sees the accident and runs to get his father. Walking over to the site of the accident, followed timidly by the now somber crowd, and nobody knowing yet if Goldilocks is going to be alright or not, Papa Bear chastises the group for their reckless behavior, especially the Bobcat.
The animals realize they have been duped and then turn on the Bobcat, who stomps off in annoyance, unrepentant and angry at not being appreciated for `ridding the forest of this scourge'.
Time passes and fortunately Goldilocks comes around, with only a bump on the head to show for her trouble. The animals cheer at her recovery and invite her and her family each in their own way to come and enjoy the forest anytime they want.
And so, the Bears find the path upon which Goldilocks got herself lost in the first place, and they along with all the other animals, escort her safely out of the forest.
Back to live action again on the same log on which they started their imaginary journey, the trio pick up their fish and supplies and head back to camp. Kathryn notices the food hamper is unexpectedly open, and there's been nobody in camp all day but her. Minutes later Bing notices his tackle box has been disturbed, and an instant later the kids see the door to the tent is open.
And who was it? The little bear cub who'd got lost from his family.
The kids all marvel at how cute and tiny he is, but their mother warns that bears can bite and will have a mother and father nearby. In another homage to MGM's classic 1939 musical, Mary quips that she hopes it's somebody they know (referencing both the dual roles performed by the rest of the cast as well as setting up the intended second episode featuring Frank and Nancy Sinatra which was never filmed). And so Bing, Kathryn, Mary Frances and Nathaniel send the little bear cub on his way – back to his family.
The reprise of ''Take a Longer Look'' is sung by the entire cast just before the credits roll.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「Goldilocks (film)」の詳細全文を読む



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